Bach Bibliography Search Result - Ordered Chronologically

Author : Golomb, Uri
Show full details : ON

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Golomb, Uri:   András Schiff/Philharmonia Orchestra: Johann Sebastian Bach, 2000. http://www.bach-cantatas.com/Articles/Schiff-Philharmonia-Bach.htm
	2.	Golomb, Uri:   The St. John Passion on stage. http://www.bach-cantatas.com/Articles/SJP-Stage%5BGolomb%5D.htm
	3.	Golomb, Uri:   Style, expression and performance in the second Kyrie of Bach's B minor Mass. [p]BCB_Dublin (Jul 2000) A Paper read at Ninth Biennial Conference on Baroque Music, Trinity College Dublin, 12-16 July 2000.
	4.	Golomb, Uri:   Text, music and performative interpretation in Bach's cantata Ich habe genug. http://www.bach-cantatas.com/Articles/BWV82-Golomb.htm
	5.	Golomb, Uri:   Two Easter St. Matthew Passions (Plus One). http://www.bach-cantatas.com/Articles/SMP-Golomb.htm
	6.	Golomb, Uri:   Ton Koopman. Goldberg 24 (Sep 2003), 42-51. [Interview with Ton Koopman focusing primarily on Bach's music] http://goldbergweb.com/en/magazine/interviews/2003/09/16243.php Traducido por Fernando Uriz: http://goldbergweb.com/es/magazine/interviews/2003/09/16242.php[also found at http://www.bach-cantatas.com/Articles/Koopman-Golomb.pdf]
	7.	Golomb, Uri:   Sellars Staging. http://www.bach-cantatas.com/Articles/Sellars%5BGolomb%5D.htm
	8.	Golomb, Uri:   Expression and Meaning in Bach Performance and Reception: An Examination of the B minor Mass on Record. diss. (2004), xv, 432p. PhD diss., University of Cambridge, 2004. xv, 432p. Available online at http://edocs.ub.uni-frankfurt.de/volltexte/2005/3077/
	9.	Golomb, Uri:   Rhetoric and Gesture in Performances of the 'First Kyrie' from Bach's Mass in B Minor (BWV 232). JMMeaning 3 (Fall-Winter 2004-05) http://www.musicandmeaning.net/issues/showArticle.php?artID=3.4
	10.	Golomb, Uri:   Performance in Theory and in Practice: Helmuth Rilling's Interpretations of Bach's B minor Mass. [p]SocMAnalysis_Manchester (Feb 2005) Paper read at the Society for Music Analysis Winter Study Day on 'Accounting for Performance' held at the RNCM (UK) on Saturday 5 February 2005.
	11.	Golomb, Uri:   El arte de la fuga de Johann Sebastián Bach / Johann Sebastian Bach's The Art of Fugue. Goldberg 38 (Feb 2006), 64-73. http://goldbergweb.com/en/magazine/essays/2006/02/40001.php. Traducido por Daniel Zuluaga: http://goldbergweb.com/es/magazine/essays/2006/02/40000.php[English version also found at http://www.bach-cantatas.com/Articles/AOF-Golomb.pdf]
	12.	Golomb, Uri:   El drama litúrgico en la 'Pasión según San Mateo' de Bach / Liturgical drama in Bach's St. Matthew Passion. Goldberg 39 (Apr 2006), 48-59. English trans. by Jose Luis Gil Aristu. [English version also found at http://www.bach-cantatas.com/Articles/SMP-Golomb.pdf]
	13.	Golomb, Uri:   Intensity, Complexity and Musical Rhetoric in Performances of the B-minor Mass. [cr]Belfast2007 1 (2007), 258-277.
	14.	Golomb, Uri:   Los Oratorios de Bach / Bach's Oratorio. Goldberg 48 (Oct 2007), 58-71. [English version also online: http://www.bach-cantatas.com/Articles/Bach-Oratorios-Golomb.pdf]
	15.	Golomb, Uri:   Performance in Theory and in Practice: Helmuth Rilling's Interpretations of Bach's B minor Mass. OrbisMusicae 14 (2007), 77-116.
	16.	Golomb, Uri:   Rhetoric in the Performance of Baroque Music. http://www.bach-cantatas.com/Articles/Rhetorical-Performance-Golomb.pdf
	17.	Golomb, Uri:   Understanding Bach's B-minor Mass: A Participant's Report / Comprender la Misa en Si menor de Bach: informe de un participante. Goldberg 49 (Jan 2008), 16.
	18.	Golomb, Uri:   [Joshua Rifkin: Interview] Goldberg 51 (Jun 2008), 56-57. [also found at http://www.bach-cantatas.com/Articles/Rifkin-Golomb.pdf]
	19.	Golomb, Uri:   Keys to the Performance of Baroque Music. Goldberg 51 (Apr 2008), 56-67. [also found at http://www.bach-cantatas.com/Articles/Rhetorical-Performance-Golomb.pdf]
	20.	Golomb, Uri:   Las cuatro 'Misas' de Bach / Bach's four Missae. Goldberg 54 (Oct 2008), 46-59. [English version also found at http://www.bach-cantatas.com/Articles/Missae-Golomb.pdf]
	21.	Golomb, Uri:   Hierarchies and continuities in televised productions of Bach's Passions. [p]SMA_Glasgow (Apr 2009) A paper read at SMA Spring Study Day 'Bach's Passions' held on 24-25 April 2009 at University of Glasgow. [also found on the web at http://www.bach-cantatas.com/Articles/Passion-Hierarchy%5BGolomb%5D.htm]
	22.	Golomb, Uri; Cohen, Dalia:   The Crucifixus from Bach's B-minor Mass: The Reflection of the Work in Performance. [p]BICB_Belfast (Jul 2010) A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010.
	23.	Golomb, Uri:   Analysis, creativity, and musical rhetoric in performances of the duet Et in unum from Bach's B-minor Mass, BWV 232. MinAd 11/2 (2013), 22-40. http://www.biu.ac.il/hu/mu/min-ad/
	24.	Golomb, Uri:   The Passion Animated, Ritualised and Monumentalised: Expressive Engagement and Emotional Distance in Productions of Bach's Matthäus-Passion. [p]BICB_Salzburg (Jul 2014) A Paper read at the 16th Biennial International Conference on Baroque Music held at University Mozarteum Salzburg, 9-13 July 2014.
	25.	Golomb, Uri:   Doubting the Resurrection? Questions and dilemmas in performances of the first Et expecto from Bach's Mass in B minor. MPerformResearch 8 (2017), 55-79.